Cine Anarchy ☭

Still from "Demons" (1971) Review: "Demons" (1971), directed by Toshio Matsumoto, is a psychological horror masterpiece that navigates the labyrinthine corridors of the human psyche with unwavering intensity. Set against the backdrop of post-war Japan, the film transcends the conventions of the horror genre, blending elements of surrealism and avant-garde storytelling to create a cinematic experience that is as disturbing as it is thought-provoking. Matsumoto's directorial prowess is evident from the opening frames, as he employs a striking visual language that immediately submerges us into a disorienting dreamscape. The use of non-linear narrative and fragmented storytelling mirrors the fractured minds of the characters. Demons on a visual level is the most impressive B&W film I've ever seen. The stark B&W cinematography serves as a canvas for Matsumoto's exploration of light and shadow. The chiaroscuro effect that heightens the film's omino...

  Still from Werckmeister Harmonies Review: "Werckmeister Harmonies," directed by Béla Tarr and Ágnes Hranitzky, is a mesmerizing cinematic experience that delves into existential themes and societal unraveling. The film's deliberate pacing and long takes create a contemplative atmosphere, allowing viewers to immerse themselves in its unique narrative. At its core, the film explores the impact of chaos and disorder on a small town, using a traveling circus and the mysterious arrival of a giant whale as metaphors. The central character, János Valuska, serves as a guide through the unfolding events, and through his eyes, we witness the gradual breakdown of societal harmony. The use of the "12:8" musical concept, known as the Werckmeister Harmonies, becomes a metaphor for the harmony of the universe. As the film progresses, this harmony is disrupted, mirroring the disintegration of order within the town. The juxtaposition of the orderly movement of the whale and th...

  Still from Crash Review: "Crash" by David Cronenberg is an erotic exploration of the intersection between technology, desire, and human connection. The film immerses us in a world where car crashes serve as a bizarre and fetishized form of eroticism. Cronenberg's meticulous direction and screenplay, adapted from J.G. Ballard's novel, delve into the psychological complexities of the characters, revealing their obsessions and vulnerabilities. The cinematography is a striking element, capturing the cold, metallic beauty of the cars and juxtaposing it with the raw, intimate encounters that transpire within them. The use of slow-motion and stylized visuals enhances the film's surreal atmosphere. The cast delivers powerful performances that navigate the thin line between pleasure and pain. Their characters, entangled in a web of car-crash-induced desire, challenge societal norms and confront the boundaries of their own humanity. Cronenberg's unflinchi...

  Still from “Song to Song” Review: “You get used to drifting. Waiting. They say follow the light. Where do you find it? When you're young, it's not always easy to know what is the light” "Song to Song," directed by Terrence Malick, is a visual and auditory masterpiece that immerses us in a poetic exploration of love, art, and the human experience. The film's narrative weaves through the vibrant music scene of Austin, Texas, following interconnected relationships that mirror the ebb and flow of life itself. Malick's cinematography, characterized by sweeping camera movements and intimate close-ups, captures the ess ence of the characters' emotional journeys. The use of natural light and stunning landscapes contributes to the film's ethereal beauty, creating a sensory experience that transcends traditional storytelling. The cast, featuring Ryan Gosling, Rooney Mara, Michael Fassbender, and Natalie Portman, delivers nuanced performances that breathe life ...

  Still from In the Shadow of the Blue Rascal Review of In the shadow of the Blue Rascal:  "In the Shadow of a Blue Rascal" directed by Pierre Clementi is a captivating cinematic piece that delves into the intricacies of human emotions and societal dynamics. I appreciate the nuanced storytelling and cinematography that Clementi employs to convey a sense of surrealism and introspection. The film's narrative unfolds with a poetic ambiguity. Clementi's experimental approach is marked by non-linear sequences and symbolic imagery. The use of unconventional camera angles and lighting contributes to the film's dreamlike atmosphere. Clementi's exploration of existential themes, such as identity and self-discovery, resonates deeply with the existentialist movement in cinema. The protagonist's journey mirrors the philosophical quest for meaning, with each scene inviting introspection and contemplation. "In the Shadow of a Blue Rascal" showcases Clementi...

  Review: “Every man has his own mask which he has carved for a long time. Some wear the same masks all their lives, others use a variety of masks. Some masks stress the features others are far from their original. Some are poor and easily distinguishable others are so skilfully made, they’re hardly distinguishable. People always wear masks when they face each other. They see only masks. Even if they remove their masks their faces seldom expose themselves. Because there may be second masks. And even third masks hidden under the first ones. Therefore, people often take your masks for you. And you take theirs for them. The objective of love and hatred may be the masks. Faces suffer loneliness. People try to escape from it and make new masks.” "Funeral Parade of Roses" is a groundbreaking cinematic masterpiece that captivates with its avant-garde storytelling and compelling exploration of identity. I was immediately drawn to Toshio Matsumoto's innovative appro...